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Arthur C. Clarke (BSc. Mathematics + Physics - King's College London)
To film buffs, Arthur C. Clarke is best known as the author
who collaborated with Stanley Kubrick to produce 2001: A Space Odyssey. The scientific community remembers him as the man who first conceptualized
geosynchronous communication-satellites, in a 1945 paper that became the foundation for modern communications technology. But science-fiction fans have any number of
touchstones for the British author: He's one of very few to be designated a Science Fiction Grand Master, he's the author of the classic novels Childhood's End
and Rendezvous With Rama, and he first created the popular axiom "Any sufficiently advanced technology is indistinguishable from
magic." By his late 80s, Clarke had written or collaborated on more than 70 books, including three 2001 sequels, three Rendezvous With Rama sequels
(co-authored with Gentry Lee), two autobiographies, a wide variety of essays, short stories, and two
video games. His non-fiction includes collections of his correspondence with C.S. Lewis and Lord Dunsany, as well as many books on physics, science, and space
travel, from 1950's guidebook Interplanetary Flight to 1994's The Snows Of Olympus, a graphic look at a terraformed Mars. His
latest, Time's Eye, is a new collaboration with Stephen Baxter, the first in a series of novels involving a cataclysm that slices Earth into segments
from across history, leading cosmonauts and prehistoric humans to mix in an epic struggle. From his home in Sri Lanka, Clarke spoke (2004-02) with The
Onion A.V. Club about religion, transcendence, the possibility of life on Mars, and the dinosaur that was named after him.
It all began at Christmas 1948 - yes 1948 - with a four-thousand-word short story that I wrote for a contest
sponsored by the BBC (British Broadcasting Corporation). The Sentinel described the discovery of a small pyramid on the Moon, set there by some alien
civilization to await the emergence of mankind as a planet-faring species. Until then, it was implied, we would be too primitive to be of any interest. The BBC rejected
my modest effort, and it was not published until almost three years later in the one-and-only (Spring 1951) issue of "10 Story Fantasy" - a magazine that, as the
invaluable Encyclopedia of Science Fiction wryly comments, is "primarily remembered for its poor arithmetic (there were thirteen stories)."
From "Valediction", "3001: The Final Odyssey"
Ballantine Books (1997) hardcover edition
"Astrologers used to believe that Man's destiny is controlled by the stars. But one day it
may come to pass that the stars' destiny is controlled by Man."
Three monoliths are introduced to humanity: a small monolith 6 million years ago on Earth; a larger monolith is found buried on the moon; a huge monolith is
found in orbit around Jupiter
On the journey to Jupiter, HAL-9000 (the onboard computer) kills astronaut Frank
Poole during a spacewalk to repair the AE-35 antenna
Dave Bowman disconnects HAL then continues the mission alone
"2001: A Space Odyssey" began with "Moon-Watcher" in Africa; "Time's Eye" begins with "Seeker" in the North-West Frontier (Pakistan - Afghanistan border); Earth
has been observed for eons by the "Firstborn"
This books spends too-much time in the past and yet you need to read it in order to read the next book
Based on the novel by Arthur C. Clarke. By now, the year 2130, all of the largest asteroids in the solar system have long since been discovered. Smaller ones are being
downed at the rate of a dozen a day. So when a huge new asteroid appears the only surprise is that is was overlooked for so long. It is duly assigned the next available
name, Rama, and is promptly forgotten about - but not for long. As Rama approaches the Earth, every question about it seems to have an answer that raises more
questions. And as observations continue, the most impossible explanation becomes the only one: Rama is actually a spaceship. The next step is obvious: mankind must
attempt a rendezvous. But only one of our spaceships is close enough. As fate has it, that ship is Endeavor - the ship that you command. Without even reading them, you
know what your orders will be: to rendezvous with the giant ship, to explore it, to meet with its inhabitants, and to return home before it speeds on its orbit away
from the solar system. Yet even in your excitement, you realize it is not an easy mission. You will have to make difficult decisions - many of them. And you will have
to work very fast - because if you stay on Rama too long, returning home will be impossible. From the first moment it has been clear: this is the mission of your
lifetime. Thousands would gladly sacrifice anything for the chance. Only you can explore Rama. Rendezvous with Rama is the first computer adventure to be produced in
collaboration with Arthur C. Clarke. The program allows you to talk with three other crew members. Multiple disks offer extended play - and the game may be played with
or without graphics. Arthur C. Clarke, world-famous author of 2001: A Space Odyssey, continues to be a major force in science fiction; over twenty-million copies of his
books have been printed World-Wide. The novel Rendezvous with Rama has won three highest science fiction awards: the Hugo, the Nebula and the John W. Campbell Awards.
The adventure game Rendezvous with Rama was developed and produced by Byron Preiss Video Productions, Inc., leading designers of entertainment and educational software.
Their technical director is Lee Jackson.
From The Dust Jacket:
Arthur C. Clarke, visionary author of both science fact and science fiction, first conceived of satellite communications in 1945--and twenty-five years later his
dream became reality. Now, in this new personal and colorful nonfiction work, Clarke examines the rapid transformation of our society by technology and communication.
As the infant field of communications began growing in the early part of this century, so did the boy named Arthur C. Clarke--who watched, wide-eyed, as his small
English village was transformed overnight. In his job as the village switchboard operator he once overloaded the circuits, excitedly eavesdropping on his first
transatlantic call. From there his involvement grew more and more technical, culminating in his now-famous paper "Extra-Terrestrial Relays," which anticipated many of
the developments of the next fifty years. For five thousand years communication never advanced beyond the speed of horse and wind-driven ship--but in the explosive
span of thirty years, it changed forever. Newer, faster communication toppled tyranny, won wars, and changed history all the way from the second Russian Revolution to
the Gulf war. Here is the story of the stranger-than-fiction mishaps, oversights, capricious acts of fate, and incredible human energy that eventually transformed the
earth into our modern global village. Clarke brings unique expertise and a lifetime of experience to How the World Was One. Beginning with submarine cables, through
the development of fiber optics and communications satellites, and then projecting far into a future of neutrino, gravitational, and tachyon (faster than light)
communications, Arthur C. Clarke shows how these remarkable innovations shaped and changed the earth--and made the world one.
Excerpt from Preface, Page 1, Paragraph 3
Nevertheless, Toynbee was essentially correct. Except for a few dwindling tribes in (alas) equally dwindling forests, the human race has now become almost a single
entity, divided by time zones rather rather than by natural frontiers of geography. The same TV news networks cover the globe; the world's markets are linked by the
most complex machine ever devised by mankind -- the international telephone/telex/fax/data transfer system.
Excerpt from Preface, Page 2, Paragraph 2
Despite the linguistic, religious, and cultural barriers that still sunder nations, the unification of the world [by telecommunications] has passed the point of
return...
Excerpt from Chapter 1, Page 1, Paragraph 3
This state of affairs has existed for the greater part of human history. When Queen Victoria came to power in 1837, she had no swifter means of sending messages to
the far parts of her empire than had Julius Caesar -- or, for that matter, Moses.
Excerpt from Chapter 27, Page 200, Paragraphs 3-4
Telstar (and its successor Telstar 2, launched May 7, 1963) showed that active satellites could do everything that had been claimed for them, and with very modest
powers -- as long as they were backed up by massive ground equipment. The Bell System had built an even larger horn-antenna for the Telstar than for Echo; the giant
ear at Andover, Maine, weighed 370 tons yet was able to track the speeding satellite to an accuracy of better than a twentieth of a degree.
And that was the big problem. Because of its relatively low altitude (between 950 and 5,600 kilometres) Telstar 1 circled the Earth several times per day; its orbital
period was only a fraction of the magic twenty-four hours.
Excerpt from Chapter 27, Page 201, Paragraphs 3
... paradoxically, it takes rather more energy to park [a satellite] twenty two thousand miles up than to land on the ten-times-more-distant moon.
Lord of Science (William Thomson a.k.a. Lord Kelvin)
False Start (to laying an Atlantic telegraph cable)
Triumph of Disaster
Post-mortem
The Brink of Success
Heart's Content (the first successful cable is laid)
Battle on the Seabed (they try to grapple for a dropped cable)
Girdle Round the Earth
The Deserts of the Deep
The Cable's Core
VOICE ACROSS THE SEA
The Wires Begin to Speak (Alexander Graham Bell)
The Man Before Einstein (Oliver Heaviside)
Mirror in the Sky (the ionosphere is discovered)
Transatlantic Telephone
"Wireless" (Clarke's boyhood recollections of crystal and valve (vacuum tube) radios
Exploring the Spectrum
A BRIEF PREHISTORY OF COMSATS
Beyond the Ionosphere
"You're on the glide path... I think..."
How I Lost a Billion Dollars in My Spare Time
"If you've got a message..."
The Making of a Moon (a reprinted short story)
"I Remember Babylon" (a reprinted short story)
STARRY MESSENGERS
Echo and Telstar
Syncon
Early Bird
The United States of Earth
Satellites and Saris
At the UN
Coop's Troop
Appointment in the Vatican
Happy Birthday, Comsat!
The Clarke Awards
CNN Live
Peacesat
LET THERE BE LIGHT!
Cable Comeback
Talking with Light
As Far As Eye Can See (like this book's title, Clarke appears to have a sense of humor :-)
Epilogue: Fin de siecle -- or Dawn of a New Millennium
Postscript: The Second Russian Revolution
Appendix A
Appendix B
Neil's Comments: I was surprised to learn that many telegraph cable projects were doomed to failure because overly optimistic
participants refused to learn Ohm's Law. Playing with technology resulted in the loss of many billions of
dollars which is reminiscent of the losses associated with the Dot-Com (dot-con?) meltdown of 2000-2002.
"When a distinguished but elderly scientist states that something is possible he is almost certainly right. When he states that something is impossible, he is very
probably wrong."
Clarke defines the adjective 'elderly' as :"In physics, mathematics and astronautics it means over thirty; in other disciplines, senile decay is sometimes postponed
to the forties. There are of course, glorious exceptions; but as every researcher just out of college knows, scientists of over fifty are good for nothing but board
meetings, and should at all costs be kept out of the laboratory". (in Profiles of the Future.)
Clarke's Second Law:
"The only way of discovering the limits of the possible is to venture a little way past them into the impossible."
Clarke's Third Law:
"Any sufficiently advanced technology is indistinguishable from magic."
Though he wrote after the laws that "Since three laws was sufficient for both the Isaacs - Newton and Asimov - I have decided to stop here", he continued to write
laws, as we can see in the Appendix 2 of The Odyssey File where he states the Clarke's 69th Law:
"Reading computer manuals without the hardware is as frustrating as reading sex manuals without the software."
Clarke's Fourth Law:
“For every expert there is an equal and opposite expert.”
Cool quote:
A hundred years ago, the electric telegraph made the United States of America
possible if not inevitable. The communications satellite will make a United Nations of Earth equally inevitable. Let us hope that the transition period will not be
equally bloody.
Arthur C. Clarke, "First on the Moon", 1970
Star Trek fan reboot
Prelude
No one can deny that Star Trek: TOS (the original series) introduced the public-at-large
to science fiction so I still do not understand why Gulf+Western (which acquired Desilu in 1967 then
was renamed to Paramount) did not do a better job funding writers and set designers. They owned the goose that laid golden eggs (to quote Aesop) but
only fed it a substandard diet.
The infighting associated with Star Trek: TNG (my favorite series) is well known
especially after watching a recent William Shatner documentary titled
Chaos on the Bridge but I am certain that most sci-fi fans only recognize half of these episodes as true sci-fi
Star Trek: Enterprise showed promise but I have no idea what the hell happened to sci-fi during Star Trek: DS9 and Star Trek:
Voyager. I watched ever episode hoping for more sci-fi but it seemed like Hollywood was cranking out Star Trek episodes the way that butchers crank out sausage
Everyone reading this already knows about the Star Trek movie odd-number curse and most would agree with it being a writing problem. You can spend
all the time you want reediting a movie, or adding more CGI, but if the story sucks the movie will be much less profitable (for proof: just look to the successful
comics which have zero CGI). I wonder what would a Ferengi say about that?
Speaking about lack of sci-fi stories, did Hollywood really think rebooting Star Trek with in an alternate universe with a younger Kirk and Spock (Star
Trek: 2009) or Khan in 2013 (Star_Trek_Into_Darkness) would be desirable or successful? Both
stories have plot holes large enough to fly a Star Ship through. And do we really need to recycle these characters again?
Fan-based Creations
Apparently fan-based Star Trek creations (none of which are allowed to make a profit since Star Trek is a registered product currently owned by
CBS) have stumbled onto the missing ingredient: Good Writing
Since the advent of Kickstarter to acquire alternate funding, and YouTube to serve up content, I have been very pleased
with this unexpected new direction for the Star Trek cultural phenomenon. Here are a few of many:
Update -2016: Oops, no full movie yet because CBS is suing Axanar Productions for copyright violation. This makes no sense
whatsoever. If CBS executives were smart, they would divert the money for this lawsuit toward licensing Axanar for viewing on their network or
pay-per-view service.
TRON (actually Science-Fantasy, but still really neat)
TRON (1982 movie)
TRON uses the I/O tower to communicate with his user, "Alan1" (Here is my disc)
TRON is probably the best science-fantasy computer theme ever made into a movie (what else would you expect from Disney?). People studying computer science, working in
IS/IT, or just hacking will recognize many more metaphors. This must be why TRON is an underground cult classic with computer engineering students.
Computer Trivia:
In the early days of computing many video terminals had TRON (trace on) and TROF (trace off) keys
In the early days of BASIC interpreter programming, the developer could issue TRON and TROFF commands at the command prompt prior to using a RUN command. Later on,
some BASIC dialects allowed tracing to be enabled/disabled by inserting TRON control statements within the source program.
In the 1970s and 1980s, DECPDP-11
minicomputers running the RSX-11M operating system signaled readiness to the operator with an MCR>
prompt. MCR is an acronym for Monitor Console Routine. In the TRON movie, the computer's operating system is the MCP
which stands for Master Control Program. Coincidence?
p.s. in the movie, the MCP was always seen rotating even when it appeared to stop and stare at TRON. In a single CPU system only one process (program
instance) can run at any time. So the OS runs a scheduler which allocates a small slice of time (10-100 mS) to each waiting user process. A
programmable RTC (real time clock) interrupts the active thread (putting the just-running-process back to sleep) then handing control back to the scheduler. The
scheduler would then rotate to the next waiting process.
Memorable Lines (and more trivia):
Who does he calculate he is?
rather than "who does he think he is?"
Can I merge with this memory? Bit?
CLU "polling" the bit; only assembly-language programmers will know what this means
Oh my User.
rather than "Oh my god"
Video game warriors leaving the game grid...This is an illegal exit!
in modular programming one needs to leave a program, routine, subroutine, or function, through a planned exit point. If you just jump out in the middle
(spaghetti code), or crash out (stack dump), or fault out (illegal instruction), or bounce out (noise on the address bus lines), then you have experienced an illegal
exit.
(well to be honest, spaghetti code isn't illegal as much as bad form)
We had better! Null Unit...
on some systems null units were device drivers with no attached device. They were an aid to learning how to program; they were also a convenient way to delete
data by copying to null. On PDP and VMS systems this device had the name "NL:"
Targets leaving protected field.
a protected field can either refer to a protected memory location (you are only able to access it if you have the necessary privileges) or a protected field in
a database or an on-screen form.
Mr. Henderson
a full branch manager
(never seen in the movie)
Peter Jurasik (Ambassador Londo Molari in Babylon 5)
BIT
???
CGI (computer generated graphics)
MCP
???
CGI (computer generated graphics)
Spiders
??? (anti-virus)
CGI (computer generated graphics)
Recognizers
??? (system monitors?)
CGI (computer generated graphics)
Tower Guards
??? (part of the scheduler?)
CGI (computer generated graphics)
More Thoughts (comparing the real world to the computer paradigm)
The earliest developers of any OS (operating system) write the device-driver software. So it makes sense that Walter Gibbs would appear as the I/O tower guardian since
that I/O Device driver would probably have been written by him.
Diseases:
Real-world biological viruses come in two major flavors.
An DNA virus is a virus that has DNA as its genetic material and replicates using a DNA-dependent DNA
polymerase.
An RNA virus is a virus that has RNA as its genetic material
most RNA viruses employ RNA to stop a cell dead in its tracks then hijack cell organelles (like the
ribosome) to make more copies of the virus. One example is influenza.
A retrovirus is an RNA virus that is replicated in a host cell via the enzyme reverse transcriptase
to produce DNA from its RNA genome. The DNA is then incorporated into the host's genome by an integrase
enzyme. The virus thereafter replicates as part of the host cell's DNA. Retroviruses are enveloped
viruses that belong to the viral family Retroviridae (e.g. HIV, the virus that causes AIDS).
Real-world computer viruses comes in multiple forms mimicking biological viruses
one type of virus will highjack your whole machine
one type of virus will highjack an individual program (like a browser)
one type of virus will copy itself into other software (like a retrovirus) so normal program operation will also quietly propagate viral copies which may
express itself later or elsewhere (think Stuxnet)
Medical researchers tell us that 20% of all cancers are caused by viruses (HPV is one example).
Cancer is best described as individual cells starting doing their own thing rather than being part of a cooperative whole (perhaps cells "forget their current
function" or "are incapable of communicating with neighboring cells which is necessary to be part of a cooperative whole").
So if cancer is best defined as a move from "being part of a cooperative" to "cells doing their own thing", then isn't this a real-world example of deresolution
(derezing)?
TRON: Legacy (2010 movie)
It seems me that corners were cut in the TRON: Legacy storyline. What's up with movie producers these days? Don't they realize that without a perfect
story there will be no market to fleece for the next 10-20 years? (witness Star Wars Prequel and Blade Runner to only name two of many). I watched TRON: Legacy
in 3d and although the graphics were superb, the story was no where near as good as the original TRON movie from 1982.
A professional writer once told me "if it wont work on the page then it wont work on
the stage"
My advice to sci-fi movie producers: only allow comic book people to write your screen plays and have them do all the story-boarding in a comic book format. If the
story won't work in a comic book (where there is no CGI to lean on) then the movie will not work on the silver screen or anywhere else.
Program
User
Actor
CLU (Codified Likeness Utility)
Kevin Flynn
Jeff Bridges
TRON: Evolution (2010 game)
TRON: Evolution (2010) is is the game version of TRON: Legacy (2010 movie)
So you are recalling your sci-fi youth and wouldn't mind rereading Magnus, Robot Fighter 4000 A.D. but don't want to buy expensive
plastic-wrapped originals so what do you do? It turns out that a really cool company called Dark Horse Comics has republished
the first 21 Magnus issues in three hard-cover books on high quality
paper (:
Volume-1 contains Magnus, Robot Fighter comic book issues 01-07 (1963-02-xx to 1964-08-xx) 205 pages
many of these stories seem to be the basis for many other sci-fi products, like:
The Matrix
Story #1 tells how one robot kidnapped 1,000 people then connected them electronically to form a giant computer. In the Matrix, all of humanity is
connected to a computer to keep us dreaming while our bodily fluids are drained off to run a power plant.
Star Trek: TOS (The Original Series)
Magnus is replaced with a robot equivalent then other people don't know which one is human as is seen in the episode
What Are Little Girls Made Of?
Magnus is beamed 60,000 light years (through sub-space) to the robot planet called Malev-6 and then is taken captive by installing a
remote-controlled metal ring around his neck as is seen in the episode The
Gamesters of Triskelion
The robot planet of MALEV-6 was created 1,500 galactic years ago when a robot ship crash landed. Over the eons, hard radiation from Malev
corrupted/modified the ship's self repair system. This is a variation of the story present in the episode
The Changeling
humans are too dependent on robots as is seen in the episode I, Mudd
although the evil genius-scientist Xyrkol is human with a beard, he does have a prominent set of pointed ears which look just like those on Mr.
Spock.
Babylon 5
the last story tells us how the 1,000 people from the first story are telepathic (were they selected as computer processors because they were
telepaths, or did they become telepathic as a result of the experience?) and how they all held hands to increase their psychokinetic powers so they
can assist Magnus on Malev-6. This sounds just like something that happened in Babylon-5 episode "A
Race Through Dark Places"
Volume-2 contains Magnus, Robot Fighter comic book issues 08-14 (1964-11-xx to 1966-05-xx) 197 pages
Volume-3 contains Magnus, Robot Fighter comic book issues 15-21 (1966-08-xx to 1968-02-xx) 176 pages
Even though I read this stuff 40 years ago, I remember some of the artwork including one scene where robots are feeding morbidly obese humans
Story #21 ("Space Specter" which was published 1968-02-xx) is about an attack on North Am which affects everyone except descendants of Blackfoot Indians.
Magnus uses their help to defeat the alien presence affect two robot geniuses. This story caused me to recall the Star Trek episode titled The
Paradise Syndrome which aired 1968-08-1
Space Family Robinson
this 1962 Gold Key Comics publication was based upon the Disney movie "Swiss Family Robinson". This
comic was later turned into the disappointing TV program "Lost in Space". The comic was serious sci-fi but
the TV program was some sort of bad joke.
Klaatu's Speech: I am leaving soon and you'll forgive me if I speak bluntly. The universe grows smaller every day and the threat of aggression by any group
anywhere can no longer be tolerated. There must be security for all or no one is secure. Now this does not mean giving up any freedom, except the
freedom to act irresponsibly. Your ancestors knew this when they made laws to govern themselves and hired policemen to enforce them. We, of the other
planets, have long accepted this principle. We have an organization for the mutual protection of all planets and for the complete elimination of aggression. The test
of any such higher authority is, of course, the police force that supports it. For our policemen we created a race of robots. Their function is to patrol the planets
in spaceships like this one and preserve the peace. In matters of aggression we have given them absolute power over us. This power cannot be revoked. At the first
signs of violence they act automatically against the aggressor. The penalty for provoking their action is too terrible to risk. The result is we live in peace without
arms or armies, secure in the knowledge that we are free from aggression and war, free to pursue more profitable enterprises. Now, we do not pretend to have achieved
perfection, but we do have a system, and it works. I came here to give you these facts. It is no concern of ours how you run your own planet, but if you threaten to
extend your violence, this Earth of yours will be reduced to a burned-out cinder. Your choice is simple: join us and live in peace, or pursue your present course and
face obliteration. We shall be waiting for your answer. The decision rests with you.
As George Winston, the beleaguered hero of George Orwell's "1984", leafed through Emmanuel Goldstein's subversive tract "The Theory
and Practice of Oligarchical Collectivism" he learns the rationale that underlies the mobilization for perpetual war. According to the
principles of doublethink (synonym for American Neo-Con Newspeak?), Winston reads, it does not matter if the war is not real or real, victory is not possible – what
matters is that the masses are kept are kept in a relative state of deprivation. Thus the purpose of war is to destroy surplus wealth (+US$400 Billion in Iraq?) in
order to maintain the hierarchical structure of society – the status quo. As George Orwell baldly puts it, "A hierarchical society is only possible on the basis of
poverty and ignorance. In principle the war effort is always planned to keep society on the brink of starvation - the war is waged by the ruling
group against its own subjects and its object is not the victory over either Eurasia or east Asia but to keep the very structure of society in tact"
Sonny: I just might get to like this place. Let's see if the Braves are on. How do you turn on this here teevee? Riker: Teevee? Sonny: Yeah, boob-tube... you know. I'd like to find out how the Braves are doin' after all this time. Probably still finding ways to lose. Data to Riker: Oh -- I think he means television, sir. Sonny: Or maybe catch up on the soaps. Data to Sonny: That particular form of entertainment did not last much beyond the year Two Thousand Forty. Reference: STAR TREK: THE NEXT GENERATION - Episode 126 -
Titled: "The Neutral Zone" Reality: Television died in 2004; not 2040 Reason: in order to maximize their profits, the networks decided to replace programs based upon "professional writing and acting"
with "so-called Reality TV"
Cool quote from Star Wars Episode II: Attack of the Clones:
00:12:24 I'd much rather dream about Padmé.
00:12:27 Just being around her again is... intoxicating.
00:12:31 Be mindful of your thoughts, Anakin. They betray you.
00:12:34 You've made a commitment to the Jedi order, a commitment not easily broken.
00:12:38 And don't forget, she's a politician, and they're not to be trusted.
00:12:41 [ Anakin ] She's not like the others in the senate, Master.
00:12:44 [ Obi-Wan ] It is my experience that senators...
00:12:46 focus only on pleasing those who fund their campaigns...
00:12:50 and they're in no means scared of forgetting the niceties of democracy...
00:12:53 -in order to get those funds. - [ Anakin ] Not another lecture.
00:12:55 At least not on the economics of politics.
First a little Star Wars movie history: The first three movies (SW1-3 :: 1977-1983 :: EP4-6) are titled
episodes 4-6. The second three movies (SW4-SW6 :: 1999-2005 :: EP1-3) are titled episodes 1-3. In my world, sci-fi fans are split down the middle: some prefer the
first three movies while others prefer the second three. There is no right or wrong here, it's just a matter of preference (some people hate Jar Jar Binks while
others hate the Ewoks; some loved watching Yoda training Luke on Dagobah while others like me preferred the martial arts of Darth Maul; some thought the first three
were targeted at children while others thought the politics of the second three made them more appropriate for adults). SW7 (2015) follows the story SW3 (1983) and
was co-written with Lawrence Kasdan (who also co-wrote SW2 + SW3) so I suspect that only half the
audience will love it.
comment-1: Okay so I just saw the film in 3D and can tell you all that SW7 is better than any of the first three movies (1977-1983) but not
better than any of the second three (1999-2005). I have no idea why people where watching it multiple times when it opened.
comment-2 - Recently I have found that if you prefer the movies from 1977-1983 then you probably like SW7 (the force awakens) and SW8 (the last
jedi). But I am not one of these people although I like the idea of a female warrior. IMHO, Star Wars is going to end up like Mickey Mouse. Parents are going to drag
their kids to the movies as well as the theme parks but the kids aren't going to have a clue. But Disney will make money.
I just watched season #1 of The Man in
the High Castle and was very impressed (like all good science fiction, this story is very thought provoking)
Based on the award-winning novel by Philip K. Dick, and executive produced by Ridley
Scott (Blade Runner, Alien, Gladiator, The Martian), and Frank Spotnitz (The X-Files), The
Man in the High Castle explores an alternate an alternate world where the Allied Powers lost WWII, leaving Japan and Germany to rule the United States
comment: Last year I watched season-1 on a PC with a 22 inch (58.8 cm) hi-def monitor. This year I rewatched season-1 on a 60 inch
(152 cm) Samsung HDTV (via a PS4) and came away with totally different experience. Why? You miss too many visual details on the small screen. Think about what
Blade Runner might look like on a small screen on a pad or phone.
Four seasons are now online at Amazon Prime Video (some) Differences between the book and the video
Item
Book
Amazon Video
Frank and Juliana
married
not married (perhaps dating or just living together)
The Expanse might be the best science-fiction story ever shown on TV (scores
100 on rotten tomatoes) so here's what I don't understand: the SyFy Channel in the USA cancelled The Expanse
after season #3. I'm not certain of their reasons but they mentioned "returning to their roots" which assumes more "zombies" as well as "teenage girls romancing
vampire bad-boys" (neither are sci-fi). This is a long roundabout way of saying that if you are a sci-fi fan like me, and have limited entertainment funds, then you
may need to swap your "SyFy subscription" for Amazon Prime Video where season 4 of the Expanse was published on 2019-12-13
(Seasons 1-3 were placed online 2019-04-xx) and Season-5 has been officially confirmed.
And while there be sure to watch all four seasons of the Philip K Dick classic The Man in the High Castle (discussed just above) or the techno
thriller Mr. Robot which has nothing to do with robots.
Three cheers for big budget sci-fi. We all know about the struggles getting sci-fi on corporate-run television networks: recall how NBC strangled, then cancelled, Star Trek just as it was taking off; recall how none of the big-three networks would touch Star Trek: The Next Generation so it was only shown on independent stations; recall how Babylon 5 was kicked from network to network; recall how Fox fumbled Firefly
then tried to blame the whole thing on the show's producer; recall how Caprica was squeezed out during a
corporate takeover. Hey, I just realized that NBC owns SyFy so it looks like NBC did it to us again
This Sci-Fi show is the most realistic sci-fi shown on big screen, or small, since "Babylon 5". After you replace "warp-speed and transporters
(Star Trek)" and "jump gates (Babylon 5)" for flip-and-burn (The Expanse) it might be the most realistic sci-fi seen since "2001: A Space Odyssey"
Many of my friends think that Game of Thrones is the best fantasy TV program of the
past 10-years. While no one can deny that GOT is a very high quality production in every way, I have no desire to watch GOT again but have already made it through
the Expanse more than a few times (mostly seeing things a little more accurately on a bigger screen TV)
"Mr. Robot" is a techno thriller and psychological drama inhabiting a modern day story
of nerds, computers and computer culture. Once you start watching you will not be able to stop. All four seasons on Amazon Prime Video
IMHO, you are not a true science-fiction fan until you have some of the following:
watched 2001: A Space Odyssey or read the book. True sci-fi nerds receive extra points for doing both, and even more for reading The Sentinel by
Arthur C. Clarke
watched all 6 seasons of The Expanse on a 60 inch (or larger) hi-def TV. Extra points for reading the books.
watched all seasons of Foundation on a 60 inch (or larger) hi-def TV. Extra points for reading Asimov's Foundation trilogy, and even more for reading Asimov's Favorite Fifteen.
watched The Peripheral on a 60 inch (or larger) hi-def TV
played the first three versions of Mass Effect on either an XBOX or PlayStation using a 60 inch (or larger) hi-def TV. Extra points for playing through
all three endings of the third game
Played Metro Awakening on a PS5 with a VR2 headset (a.k.a. PSVR2)
two OLED displays, one for each eye, with a resolution of 2000 x 2040 pixels per eye (resulting brain resolution is 4000 x 2040)
four cameras look outward at your surroundings.
four cameras look inward at your eye-balls.
gyros to measure your head tilt up-down or swivel left-right (or is this performed in software by comparison with a reference image of your play area?)
CAVEAT: "Metro Awakening" is not a sci-fi game, but when the VR2 initializes, it displays a horizontal and vertical line network, all superimposed on the
walls, floor and ceiling of of your play area. This should remind you of the holodeck in Star Trek: The Next Generation
All I need to know about life, I learned from STAR TREK
The above text was taken from a laminated poster hanging on my office wall titled: "All I Need to know about life, I learned from Star Trek"
No copyright notice could be located.
Seek out new life an new civilizations
Non-interference is the prime directive
Keep your phaser set on stun
Humans are highly illogical
There's no such thing as a Vulcan death grip
Live long and prosper
Having is not so pleasing a thing as wanting; it is not logical, but it is often true
Infinite diversity in infinite combinations (IDIC)
Tribbles hate Klingons (and Klingons hate Tribbles) (I guess that make me Klingon!)
Enemies are often invisible - like Klingons, they can be cloaked
Don't put all your ranking officers in one shuttle craft
When your logic fails, trust a hunch
Insufficient data does not compute
If it can't be fixed, just ask Scotty
Even in our own world, sometimes we are aliens
When going out into the Universe, remember: "Boldly go where no man has gone before!" (Today would read "Boldly go where no one has gone before!")
Cyberpunk
I have always been into cyberpunk and do not know why. Here is s short list of my cyberpunk entertainment (in chronological order)
After season 3 of The Expanse finished on SPACE,
I was going through a sci-fi dry spell so I decided to watch one episode of Babylon 5each night. The current box set "Babylon 5: The Complete Series + The Movie / Crusade Collection [DVD] [2004]" contains 39-disks so
if you buy that along with "Babylon 5: The Legend of the Rangers" and "Babylon 5: Lost Tales" you will be in for a special treat.
Especially if you watch everything in this order (one movie comes first, one comes last but
needs to be watched before you start Crusade)
My wife has only a passing interest in sci-fi but hearing the well-written dialog from the next room made her a Babylon-5 fan before I finished season-1. One morning
she asked me "do you think John Sheridan died at Z'ha'dum?". At other times she has
asked "do you think we should watch two episodes tonight?" Sure, no problem!
Total Recall 2070
By 2019-02-xx my wife and I had made it through all of the Babylon 5 media but there still wasn't anything neat on TV (well, there's Star
Trek Discovery but only a die-hard trekor like me would watch it because there isn't much of a story). So I was rooting through my DVD collection when I happened
upon Total Recall 2070. What a treat. This series from 1999 was released (uncut) to DVD in 2011 but is
only shown in 1.33:1 (4x3). But at least there are some decent stories.
Firefly
Okay so this was a surprise to me. During Christmas vacation I met some people who mentioned Serenity
(2005) but didn't know about Firefly (or that it was available on DVD). Once again let me
yell out "STORIES can be found here"
p.s. I lent my Serenity DVDs to these people and they were totally blown away
TekWar
The TekWar series was created by William Shatner and shown between 1994 and 1996. Like Total Recall
2070, TekWar was release on DVD in 2011. STORIES - STORIES - STORIES
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Neil Rieck
Waterloo, Ontario, Canada.